I have been meeting some phenomenal fiction critique-givers this semester. It's almost like they have an instant sense for what a piece needs to bump it up to another level... an instinct. So much good advice.
Each of them is, or has been at one time, a total moron when it comes to their own work.
I don't mean that in a derogatory sense. I mean that it is nearly impossible to apply the same cunning instinct that is normally applied to the critiquing process to one's own work... at first. I've seen it over and over again, especially with myself. I might spend a whole afternoon with my editing pencil out, crafting and reworking, only to have a massive restructuring suggested by my classmates... and find myself actually agreeing that it is the best course of action. Granted, I can't say that every workshop I've ever been in offered the same level of useful advice, nor would I say that I take every bit of advice offered in the most serious light... but the point is that I'm getting critique that I find useful from my classmates, and they seem to pull it out of thin air. And, I find that I am offering the same useful level of critique to them, possibly aiding them in shaping these pieces.
That's the power of a good workshop group.
I think that's the whole point of workshopping your pieces... not necessarily just to get advice on a specific piece, but to get closer to having that instant sense on your own work... to step away from it, look at it objectively, and be able to see the things you see in someone else's work... better organization, specific phrasing, the points you're making and how they might be more effective... these little details.
I'm not sure if other workshoppers would agree with me on this, but I feel very strongly that this is one of the most useful things I'm getting out of the process. I really am examining my own work differently now, taking it apart more, building it back up differently. Maybe it's coming out less awkwardly in the first place, too? Still, have to be careful to not be too careful when I'm there with the pen and the pad. Can't gum up those works... it has to come out after all.
I'm excited to move forward with the next few years of school. There is truly so much left to learn... but more importantly so much still to refine.